11-21 

procedure ermetiche, come Quaderni di un mammifero.

11-21 is a great immersion but also a legendary detachment like the lily leaf in slow lines of reverse emotionality. And between these lines, for each chapter, I have chosen a word for its visual eulogy: absence, nude, solìvago, nericare and New Wave.
The invisible bridge of inspiration is music, I belong to that generation influenced by existentialism, the New Wave scene and the Dark movement. Concretely, it is the camera with the ability to manage the shutter speed that leaves me the tracks to collect. This photographic story in five chapters encapsulates all my passion for hermetic poetry, especially G. Ungaretti. These are portraits in search of their originality, which is expressed in the balance between obsession and calm, between strength and weakness, between decay and enthusiasm. 
I explore female figures, naked bodies, faces, symbols and landscapes that strike the senses and the imagination. Here I shoot to represent, to show visually with sensitive signs, to transfigure into imagination, into fantasy of universal value the world of experiences and sensations. This type of shooting deals a lot with the unspeakable and the indiscernible and precisely because it deals with this sometimes reaches our subconscious in a different way. The 
procedure, the constant trend, is above all a recurring attitude, namely the obsession with time.

Selected works from the chapter The Absence is | Opere selezionate dal capitolo L'assenza è 

The Absence is. The behaviour of this phrase is deliberately oxymoronic. Absence is the emptiness that pains and frightens us, an obsession that grips us, but we cannot escape being absence that through the perception of feelings becomes presence. We love each other precisely because we are missing beings who yearn to be (complete, fulfilled). Thus I entrust the balance of emotional chaos to the anaphoric sequence of these conceptual portraits.

Selected works from the chapter Nude in verse | Opere selezionate dal capitolo Nudo in verso 

I observe the human figure, in its nudity, which fragments and expands in movement and gesture filmed through a narrative sequence. It is a body in-itself that wants to be for-itself by stripping itself of form. But it will always remain the body that lives as an expression of a whole that lives evolving as a treasure chest of memories, in the humid voice of the seasons, in the seeds lost or never found, in the white or gloomy water of events.

Selected works from the chapter Solìvago | Opere selezionate dal capitolo Solìvago 

Solìvago is the wandering, alone, that triggers thoughts. With these portraits I represent the subject alone, but it is his memory in time and space. The subject, by similarity, seems to converse with an open and transfigured scene through the marks and scratches left by the time I shoot.

Selected works from the chapter Nericare | Opere selezionate dal capitolo Nericare 

Nericare is the chapter most imbued with music, obsession, anguish, suffering and fear of death. I use the colour black as a paradox that contaminates creation with the desire to distract the viewer. The aesthetics of the image eludes me, it is erratic (moving shots, still shots, abstractions) because it is the colour that is most difficult to control, like emotions, it can express everything and the opposite of everything, but it is the colour that sums them all up.  Photograph after photograph, I find myself through a breath of shadow where an ink light suddenly becomes a moon chorus.

Selected works from the chapter New Wave | Opere selezionate dal capitolo New Wave

Sometimes photography moves the unseen, a fracture, a hiatus. Then the light will have to be the art of lucidity and the enormous effort will be to find a new compositional logic. Here, photography drowns its steps in the restlessness of a contrary verb, as in the restlessness of sleep insomnia burns. It is a chapter to remember, not the photographs taken but those missed.